Category: Features
| | Art in America, March 2000, Vol. 88, N° 3, pp. 104-117, 143-144 by Wade Saunders — In the late 1960s, sculptor Bill Bollinger showed with—and was…
| | Art in America, January 1993, Vol. 81, N° 1, pp. 70-95 by Wade Saunders — In a new variant on the apprenticeship system, many artists now…
| | Art in America, November 1985, Vol. 73, N° 11 pp. 110–137 by Wade Saunders — Over the last five years, while painting has occupied the art-world…
| | Art in America, February 2004, Vol. 92, N° 2, pp. 54-65 by Wade Saunders — When Dutch artist Bas Jan Ader was lost at sea in…
| | Art in America, December 1982, Vol. 70, N° 10, pp. 90–104, 121 by Wade Saunders — Often linked to Abstract Expressionism, the ten sculptors discussed below…
| | Art in America, October 1986, Vol. 74, N° 10, pp. 152-155 by Wade Saunders — Richard Serra’s recent retrospective, along with two ancillary exhibitions, showed him…
| | Art in America, December 1983, Vol. 71, N° 11, pp. 128-135 by Wade Saunders — Sensitive to sculptural as opposed to architectural scale, di Suvero’s best…
| | Art in America, June 1980, Vol. 68, n° 6, pp. 86–95 by Wade Saunders — More and more sculptors have turned to casting in metal—particularly in…
| | Art in America, March/April 1979, Vol. 67, n° 8, pp. 96-99 by Wade Saunders — This year’s survey of the current scene, low on risks and…
| | A commissioned catalogue essay for the exhibition “Bronze, Plaster, and Polyester” which was curated by Elsa Weiner Longhauser for the Goldie Paley Gallery at Moore College…
| | Bomb, Winter 1988, N° XXII by Wade Saunders — The Los Angeles art world is growing and changing more rapidly than at any time in its…